Theory and Practice have always sound as a dilemma to me. I have always found theories so fascinating. My tendency to over-theorize has sometimes led my creativity to get stuck, as wanting to back it up with logical reasoning and prove it was 'right' or 'wrong'. In the attempt to bypass theory, pure movement based research, in the studio, often felt directionless and so energy consuming to me. As a seeking spirit in nature, theories are just my cup of tea. However, I wonder if the theory gets lost in the translation from one medium into another, therefore if it is fair to talk about theory application, or it is just our interpretation of it, so a trans-creation. What was/is the compass for my movement research? Theory or body experience, or both? With this doubt in mind, it is incredibly inspiring to observe HOW other artists start their research from a theory and apply it to their artistic projects. It is the case of Angela Woodhouse, Senior Lecturer in Dance at...